gor[b] Paul Gorbould: Words and Pictures

2Aug/061

Heat stroke

Yesterday afternoon, I wandered out of the TBC's John Street entrance to head over to Starbucks. Through the shimmering heat, I stared up at two mismatched monoliths.

To the east, a 10' high, overly-jovial mural of the CFL on CBC hosts. To the west, towering high above all, a 7,000' tall billboard of the smirking Canadian Idol judges.

Staggering from the 36 degree heat, I began to swoon. Grimacing, I shut my eyes and tried to regain equilibrium. Then, from either side of the street, I started to hear voices. Squinting, I looked up to find the graven images... moving. They had come alive!

And they were bickering.


(On the left, representing CTV: Farley Flex, Sass Jordan, Jake Gold, Zack Werner. Right, for CBC: Mark Lee, Chris Walby, Greg Frers, Elliotte Friedman, Sean Millington, Eric Tillman)

Flex: Dudes, your mural is as tiny as your ratings. We're ten times bigger, and in front of your own damned building!

Friedman: Hey, aren't you Randy Jackson?

Flex: Bite me. Can't you tell jolly, black men apart? Racist.

Millington: I'm jolly and black.

Flex: If you say so. Say, you were a running back. Why dontcha go running back to the Argos, like you did during the lockout?

Walby: And why don't you pick on someone your own size, Funkmaster. I'm right here.

Werner: Careful, he might eat us. Here's an idea: why don't you file a noise complaint instead?

Frers: You sure look a lot like Larry Gowan. Plus there's six of us and four of you.

Gold: Let's even it out then. Red rover, red rover, we call Brian Williams over.

Friedman: Ouch, that's harsh. Here's an idea: develop some of your own journalists instead of just hiring our leftovers.

Gold: It's just Williams. That's not a trend.

Friedman: And Lloyd Robertson.

Gold: So?

Friedman: Tom Kennedy. Vicki Gabereau. Scott Laurie...

Gold: OK, but...

Friedman: Craig Oliver. Murray Oliver. Todd Battis. Alan Fryer. Matt McClure. Linda Sims. Larry Stout. Rosemary Thompson. Ravi Baichwal...

Jordan: Enough! Could everyone please just stop talking and go back to looking at my cleavage?

Lee: At least we're getting Strombo back, and he could kick Mulroney's skinny arse without getting off his motorcycle.

Jordan: That's it! Feel the gleaming whiteness of my pearly teeth! (Shoots beam of pure energy from her choppers, blinding Lee.)

Tillman: You wanna play it that way? Fine! (Melts Flex's face with laser beam spectacles.)

Whereupon Friedman lobs a radioactive "CFL on CBC" football across the road, Werner's mutant forked tongue lashes out to entwine pedestrians, and all hell breaks loose.

Ten minutes later, I found myself lying prone in the Metro Hall Cooling Station, with a frappuccino pressed against my forehead. The streets were once again quiet, the billboards motionless.

It might not have happened exactly that way. The heat makes people a little crazy.

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Filed under: CBC, Television 1 Comment
2Aug/060

Trading places

I have a friend who is changing jobs, moving on to (as they say) "new opportunities." That's something I haven't done in a long time – though I've worked for different shows and different websites, I've been at CBC for a decade.

It got me thinking about a couple of conversations I've had with other folks who have changed employers. By making the switch, they discovered things I would have never considered. Here are two examples.

- Neal used to work for a major advertising firm. On a canoe trip to Algonquin, he told me about his two biggest accounts: Mercedes, and then Coca-Cola. Both were plum clients – big names, big budgets, established brands. But according to Neal, when it came to advertising, they were like matter and anti-matter.

"Mercedes are just plain good cars," he told me. "We could do zero advertising, and throw stuff at customers as they entered the showrooms, and they'd still buy the cars." (For the record, that was not the creative strategy Neal pitched.)

"But Coke is just sugar and water," he explained. "It's all about the advertising."

Image is about the only reason people buy Coke, or buy it instead of Pepsi. The product constantly needs new ideas and maximum creativity to stay afloat, a model that Neal preferred. Interestingly, neither client made his company rich. They were high profile loss-leaders, accounts that would win the company awards so they could gouge less sexy clients.

- On the blue collar end of the spectrum is Jason, who fixes trucks for a living. Until recently, he fixed cars. Sounded about the same to me: wrenches, oil, manual labour. But at a birthday party, I asked him about the switch, and he was ecstatic.

"When someone's car breaks down, they get mad. It's an unexpected expense, they have kids to pick up from school, and they need their car back yesterday."

Fairly or unfairly, car owner frustrations are usually leveled squarely at the mechanic. For trucking firms, on the other hand, it's all in a day's work.

"We have a fleet of trucks, and when one breaks down they just put another one on the road. It's an expected cost of doing business." Jason fixes the trucks, and nobody yells at him.

All of this got me thinking... I wonder how my workplace experience would be summed up in a single pithy anecdote.

But I think I've been here too long, and I don't have any immediate plans to leave. Wrong guy to ask.

So I asked some new(ish) employees for their takes. Here are a couple:

While very impressed with the level of intelligence and professionalism on the part of CBC employees, I was caught off guard by the extreme bureaucracy and conservatism. As soon as I walked through the doors, I got the sense that I entered a time warp. While other companies I've worked at are moving forward with progressive ideas, attitudes, the CBC still seems entrenched in an old-fashioned bubble a la 1970. (e.g. time cards, no concept of flexible hours, working from home etc.)

It's true: I've been working here on the internet for ten years, but I still fill out a thick, green paper time card each week, using a ball point pen. I presume they are carried away by pneumatic tube to a stenographer for card punching. But she's right about the intelligence and professionalism, too: there isn't a single person I work with who isn't smart, capable, and completely deserving of their job. Any CBC bashers that think otherwise can e-mail me and I'll give them a tour so they can see for themselves. Here's another:

I guess for me the biggest difference is the red tape... compared to the smaller places I've worked at, there are far more people and steps involved in getting things done.

On the upside though, the projects at CBC are much cooler than my previous jobs... just simply because of the content of each project... it's news, sports, arts, or entertainment... aside from the banner ads on the website, my work is detached from the world of marketing and advertising.

Amen to that. From my fuzzy recollections of life in the private sector, I don't remember having to write up a Project Charter every time I wanted to blow my nose. Then again, I didn't have to make a profit doing it.

I think this is why secondments, work exchanges and internships are such a good idea. Employees get to trade places for a while, distill these sorts of lessons learned, and bring them home.

If only you could keep the demo Mercedes...

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